![]() We were doing the same moves, but we were doing them slightly differently. Bullet Train was really well done, and we worked really hard on this. Can you talk about the difficulty? Because it seems seamless. That train scene is incredible, and you guys had to mimic each other move for move. I want to talk about that train scene because not only is that a close-compact type of thing, but it's f-king amazing. Stylized fights are very much like dance, with footwork and everything. I think Henry was picked for this too really good fights. We had an amazing dance team and stunt team, and you're right, it's very much like dance. Sam Rockwell: Absolutely, and sometimes you just dance to shake out the jitters on the first day when you're nervous. Did your dance help you with any of the fight choreography at all? I hear that you dance on set just in general sometimes. Sam, you've got some killer dance moves in this, my friend. Otherwise, if you're playing it too realistic and too naturalistic, then it sort of spoils the joke, so you have to play a very serious but heightened version of that for it to fit in the tone of the movie. But as far as the tone of the movie is concerned, you're not taking Argylle too seriously, and so it's a fine line to tread between the two. He takes himself very seriously because his situation is very much real and heart-attack serious in his head. I think the line to walk on this one was Argylle, without spoiling too much. Henry Cavill: I didn't specifically draw any inspiration from anywhere else.
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